1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.   Related Paintings of Caspar David Friedrich :. | The Giant Mountains | On a Sailing Ship | Verschneite Hutte | Graveyard under Snow | The Cross on the Mountain |
Related Artists:
BRIL, Paul
Flemish Baroque Era Painter, ca.1554-1626 Painter, printmaker and draughtsman, brother of Matthijs Bril. According to van Mander, Paul studied in Antwerp with Damiaan Wortelmans (1545-after 1588/9) before travelling to Rome, via Lyon, c. 1574, to join his brother, whom, according to Baglione, he assisted on Vatican commissions after 1576. However, no document places Paul in Rome before 1582, and in any case Matthijs was probably not there until c. 1575. Paul's first known independent works are monumental frescoes dating from the late 1580s. They include a dramatic rendering of Jonah and the Whale (1588) in the Scala Santa in the Vatican (based on a drawing by Matthijs; Paris, Louvre) and a series of landscape lunettes (c. 1589) in the Lateran Palace.
Domingos Antonio de Sequeira
painted Familia Barros in19th century
ES, Jacob van
Flemish painter (b. ca. 1596, Antwerpen, d. 1666, Antwerpen) Flemish painter. Together with Osias Beert and Clara Peeters, he was one of the leading representatives of the archaizing trend in Flemish still-lifes. His birthplace is known from the text on an engraving by Wenceslaus Hollar after a painting by Jan Meyssens (1612-70). Van Es became a master in Antwerp in 1617 but did not join the Guild of St Luke until 1645. Jacob Gillis and Jan van Thiene were his pupils in 1621 and 1623 respectively. He enjoyed a certain esteem among fellow artists, for Jacob Jordaens, Cornelis Schut the elder and Deodaat del Monte were godfathers to his children. Numerous mentions of works by van Es in inventories of 17th-century Antwerp collectors further testify to his success